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THE HOLY NIGHT

  • Posted on January 1, 2012 at 4:25 pm

ELIZABETH BARRETT BROWNING

We sate among the stalls at Bethlehem;
The dumb kine from their fodder turning them,
Softened their horned faces
To almost human gazes
Toward the newly Born:
The simple shepherds from the star-lit brooks
Brought visionary looks,
As yet in their astonied hearing rung
The strange sweet angel-tongue:
The magi of the East, in sandals worn,
Knelt reverent, sweeping round,
With long pale beards, their gifts upon the ground,
The incense, myrrh, and gold
These baby hands were impotent to hold:
So let all earthlies and celestials wait
Upon thy royal state.
Sleep, sleep, my kingly One!

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Up All NightUp All NightOne Direction are Liam Payne, Louis Tomlinson, Niall Horan, Harry Styles and Zayn Malik. All five boys auditioned for the UK X Factor as solo artists. However, at the suggestion of Simon Cowell and guest judge Nicole Scherzinger they joined forces as a group, quickly becoming one of the competition's most popular acts of all time, finishing in the final three and garnering a gigantic and loyal fan-base along the way.
Stand out tracks on their debut album, Up All Night, include the first single 'What Makes You Beautiful', the pulsating pop/rock 'Tell Me A Lie' written by Kelly Clarkson and 'Gotta Be You', an emotive and heartfelt ballad with lush strings, soaring harmonies and an indelible melody. The epically anthemic 'One Thing' is another hit-in-waiting: 'More Than This', a beautiful and melodic smash, has the boys distinctive vocals sounding stronger than ever.
Some NightsSome NightsHaving earned widespread acclaim with their 2009 debut album, Aim & Ignite, fun. decided to raise the stakes with this album, their first on Fueled By Ramen, by teaming with noted producer Jeff Bhasker (Kanye West, Jay-Z, Alicia Keys, Beyonce, Drake).

The first single from Some Nights, "We Are Young (Feat. Janelle Monáe)," has generated quite a buzz, hitting the top 3 on The Hype Machine music blog aggregator in its first week of release, not to mention the top 5 on iTunes' "Top Alternative Songs" sales ranking. What's more, "We Are Young" has received major airplay from KCRW's influential Morning Becomes Eclectic, while USA Today applauded the "baroque indie-popsters" for "(making) a counterintuitive play for the big time, slowing down for the massive singalong chorus."
Saturday Night FeverSaturday Night FeverIt was the film that had it all - love, hope, betrayal, dancing, and one of the best soundtracks in history. Relive the days of tight satin shirts and tighter trousers through the master song-writing skills of the Gibb brothers. 9 tracks - Staying Alive - How Deep Is Your Love - Night Fever - More Than A Woman - If I Can't Have You - Jive Talkin' - You Should Be Dancing - Boogie Shoes - Disco Inferno

Little Jean – A Christmas Story

  • Posted on December 31, 2011 at 9:45 pm

by Nannie-Lee-Frayser

Long ago, and far from here, in a country with a name too hard to pronounce, there lived a little boy named Jean. In many ways, he was just like the boys here, for there are many Johns over here, are there not? Then too, Jean lived with his auntie, and some of our boys do that too. His father and mother were dead, and that is true here sometimes, isn’t it? But in some ways things were quite different with Jean. In the first place his auntie was very, very cross, and she often made him climb up his ladder to his little garret room to go to sleep on his pallet of straw, without any supper, save a dry crust. His stockings had holes in the heels, and toes and knees, because his auntie never had time to mend them, and his shoes would have been worn out all the time if they had not been such strong wooden shoes–for in that country the boys all wore wooden shoes. Jean did many a little service around the place, for his auntie made him work for his daily bread, and he chopped the wood and swept the paths and made the fires and ran the errands, but he never heard anyone say “Thank you.”

Jean’s happiest days were at school, and I wonder if he was like our boys in that? There his playmates wore much better clothes and good stockings too, and warm top coats, but they never thought of making fun of Jean, for they all loved to play with him. One morning Jean started off to school (which was next to the big church), and when he got there he found the children all so happy and gay and dressed in their best clothes, and he heard one boy say, “Won’t it be jolly tomorrow with the big tree full of oranges and popcorn and candy, and the candles burning?” And another added, “Won’t it be fun to see the things in our shoes in the morning, the goodies that boys love?” And another said, “My, but we have a big, fat goose at our house, stuffed with plums and just brown to a turn,” and he smacked his lips as he thought of it. And Jean began to wonder about that beautiful tree and wish that one would grow at his house. And he thought about his wooden shoes and knew there would be no goodies in them for him in the morning. Then he heard one boy say, “Don’t you love Christmas?” And Jean said, “Christmas! why, what is Christmas?” But just then the teacher came in and said, “Boys, come into the church now and hear the music.” And so the boys marched one behind the other just as they do in school here, and they went into the great church. Jean thought it was beautiful in there! The soft light, the warm pleasant air, the flowers, and the marble altar, and then the music! Oh, such music Jean had never heard, and somehow as he sat on the high-backed bench and listened, his own heart grew very warm although he could not understand why, and he loved so to hear them singing: “Peace on earth, good will to men.” And it began to sing itself over and over in his heart, this sweet, sweet song of “Peace on earth, good will to men.” Then the time came to go home, and the boys all shouted, “Good-bye, Jean! and Merry Christmas!” And though Jean didn’t know about “Merry Christmas,” he kept singing in his little warmed heart, “Peace on earth, good will to men,” and then he was glad the other boys could have the tree and the goose and the wooden shoes full of goodies even if he couldn’t.

As Jean went home the snow began to fall and the big flakes lodged on his shoulders and cap and hands, but he didn’t mind the cold for his heart was so warm. By and by as he ran down the street he passed a tall house with the steps going up from the street, and there sitting on the bottom step he saw a little boy with soft curling hair and a beautiful face, leaning his head against the stone house, fast asleep. Somehow as Jean looked at the sleeping face, his own heart grew still and quiet and warm, and he felt like he could look at it forever, and suddenly he caught himself singing softly under his breath, “Peace on earth, good will to men.” And then he looked down at the little boy’s feet and he saw that he was barefooted and his little feet were purple with the cold. As Jean looked at the feet, and then at the face of the child, and thought of the sweet song in his heart, he said, “Oh! I wish I could give him my shoes, for I have stockings to keep me warm, but auntie would be so mad! And the more he looked and thought, the more he longed to give his shoes away, until all at once he said, “I know what I’ll do, I’ll give him one shoe and one stocking and then he won’t be so cold,” and he felt as though he couldn’t get his shoe and stocking off fast enough to give them to the little child. So gently and tenderly he lifted the little cold foot in his hand to put on the shoe that he did not waken the sleeping boy, even when he had put the stocking on the other foot, and then as he stood up again and took a last look at the lovely face, before he knew it he was singing aloud, “Peace on earth, good will to men.” Then he hopped off home in the snow with the happiest heart he had ever had.

Now, I wish the story turned out differently and that his auntie said when he told her about it, “I’m so glad you did it, Jean.” But she was so very cross, that she slapped Jean and sent him off to bed without any supper, saying, “You had no right to give away that shoe and stocking for my money paid for them!” Somehow Jean didn’t mind doing without supper that night and he soon went fast asleep and dreamed a beautiful dream, for he thought he was still singing “Peace on earth, good will to men!” And he saw a vision of the little sleeping boy, that grew into a tall and gentle man with a radiant face who walked to and fro in Jean’s dream, singing with him “Peace on earth, good will to men!” Then morning came and outside his window, Jean heard the voices of children singing, “Glory to God in the highest, on earth peace, good will to men!” And he heard a very strange sound too, for his auntie’s voice, soft and gentle, said, “Jean, wake up, and come down and see what has happened,” and Jean came down the ladder and lo! there was a wonderful tree just like the other boys were having today, and a goose, and by the fireplace his own wooden shoe, and beside it the mate that he had given to the sleeping child, and far in the distance Jean heard the children’s voices singing as they ran down the street, “Peace, peace on earth, good will to men!” Then the room grew very still and peaceful and Jean’s heart did too–and through the silence there came a voice so tender and loving–so gentle that the auntie’s eyes were full of tears, and Jean wanted to listen forever, and the voice said, “Jean, inasmuch as ye did it unto one of the least of these, my brethren, ye did it unto ME.”

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Little Broken HeartsLittle Broken HeartsNorah Jones has set a May 1 release date for Little Broken Hearts (Blue Note/EMI), her stunning new album produced by Danger Mouse (aka Brian Burton). Jones has also revealed the album cover and track listing of the 12-song set, which features original songs co-written by Jones and Burton.

Jones drew the inspiration for the album cover from the vintage movie posters that adorn Burton's Los Angeles studio. "Brian has this great collection of Russ Meyer posters in his studio," explains Jones, "and this particular one, called Mudhoney, was right over the couch where I sat every day. I always was looking at it and thinking `that's so cool I want to look like her!' I remember staring at the poster the whole time we made the record. It's a great visual."

Little Broken Hearts is the fascinating next step in the artistic evolution of one of the music world's most consistently intriguing singer-songwriters. Jones first emerged on the world stage 10 years ago this month with the February 2002 release of Come Away With Me, her self-described "moody little record" that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 Grammy Awards and signaling a paradigm shift away from the prevailing synthetic pop music of the time. Come Away With Me has just become the #10 best-selling album of the Soundscan era. The album has sold 25 million copies worldwide.

Since then, Jones has released three more critically acclaimed and commercially successful solo albums--Feels Like Home (2004), Not Too Late (2007), and The Fall (2009)--as well as two albums with her country collective The Little Willies. The 2010 compilation ...Featuring Norah Jones showed her to possess an incredibly versatile voice by collecting her collaborations with artists as diverse as Willie Nelson, Outkast, Herbie Hancock, and Foo Fighters. Jones previously collaborated with Danger Mouse on his acclaimed 2011 album ROME, a valentine to classic Italian film score music that also featured Jack White.

A Turkey For One

  • Posted on December 31, 2011 at 4:25 pm

Lura’s Uncle Roy is in Japan. He used to take Christmas dinner at Lura’s home. Now he could only write her papa to say a box of gifts had been sent, and one was for his little girl.

The little girl clapped her hands, crying, “Oh, mamma! don’t you think it is the chain and locket dear uncle said he would sometime give me?”

“No,” replied her papa, reading on. “Your uncle says it is a turkey for one.”

“But we do not need turkeys from Japan,” remarked the little daughter, soberly.

Her papa smiled, and handed the open letter to her mamma.

“Read it aloud, every bit,” begged Lura, seeing her mamma was smiling, too.

But her mamma folded the letter and said nothing.

On Christmas eve the box, which had just arrived, was opened, and every one in the house was made glad with a present. Lura’s was a papier-mache turkey, nearly as large as the one brought home at the same time by the market-boy.

Next morning, while the fowl in the kitchen was being roasted, Lura placed hers before a window and watched people admire it as they passed. All its imitation feathers, and even more its red wattles, seemed to wish every man and woman, boy and girl, a Merry Christmas.

Lura had not spoken of the jewelry since her uncle’s letter was read. It is not nice for one who receives a gift to wish it was different. Lura was not that kind of a child.

When dinner was nearly over, her papa said to her, “My dear, you have had as much of my turkey as you wanted; if you please, I will now try some of yours.”

“Mine is what Uncle Roy calls a turkey for one,” laughed Lura. She turned in her chair towards where her bird had been strutting on the window-sill, and added, in surprise, “Why, what has become of him?”

At that moment the servant brought in a huge platter. When room had been made for it on the table it was set down in front of Lura’s papa, and on the dish was her turkey.

“Oh, what fun!” gayly exclaimed the child. “Did uncle tell you to pretend to serve it?”

“I have not finished what he directs me to do,” her papa said, with a flourish of the carving-knife.

“But, papa–oh, please!” Her hand was on his arm. “You would not spoil my beautiful bird from Japan!

A hidden spring was touched with the point of the knife. The breast opened, and disclosed the fowl filled with choice toys and other things. The first taken out was a tiny box; inside was a gold chain and locket; the locket held Uncle Roy’s picture.

It was a turkey for one,–for only Uncle Roy’s niece. But all the family shared the amusement.

 

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ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.
My ChristmasMy ChristmasMillions will rejoice this holiday season with the much-anticipated release of Andrea Bocelli's My Christmas. The first-ever Christmas recording from Andrea is a heart-warming collection of seasonal favorites produced by the legendary David Foster. The lush, beautiful arrangements alongside Bocelli's unmistakable soaring vocals make this a must-have holiday recording. Highlights include "White Christmas," "Oh Holy Night," "Santa Claus is Coming to Town," "Jingle Bells," "Silent Night," "The Christmas Song," and "What Child Is This" among others. My Christmas will also be a major component of a PBS Great Performances special to air on Public Television this December, featuring Andrea and David Foster with additional special guests.

Christmas at Fezzwig’s Warehouse

  • Posted on December 30, 2011 at 9:45 pm

“Yo Ho! my boys,” said Fezziwig. “No more work to-night! Christmas Eve, Dick! Christmas, Ebenezer! Let’s have the shutters up!” cried old Fezziwig with a sharp clap of his hands, “before a man can say Jack Robinson….”

“Hilli-ho!” cried old Fezziwig, skipping down from the high desk with wonderful agility. “Clear away, my lads, and let’s have lots of room here! Hilli-ho, Dick! Cheer-up, Ebenezer!”

Clear away! There was nothing they wouldn’t have cleared away, or couldn’t have cleared away with old Fezziwig looking on. It was done in a minute. Every movable was packed off, as if it were dismissed from public life forevermore; the floor was swept and watered, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse was as snug, and warm, and dry, and bright a ballroom as you would desire to see on a winter’s night.

In came a fiddler with a music book, and went up to the lofty desk and made an orchestra of it and tuned like fifty stomach-aches. In came Mrs. Fezziwig, one vast substantial smile. In came the three Misses Fezziwig, beaming and lovable. In came the six followers whose hearts they broke. In came all the young men and women employed in the business. In came the housemaid with her cousin the baker. In came the cook with her brother’s particular friend the milkman. In came the boy from over the way, who was suspected of not having board enough from his master, trying to hide himself behind the girl from next door but one who was proved to have had her ears pulled by her mistress; in they all came, anyhow and everyhow. Away they all went, twenty couple at once; hands half round and back again the other way; down the middle and up again; round and round in various stages of affectionate grouping, old top couple always turning up in the wrong place; new top couple starting off again, as soon as they got there; all top couples at last, and not a bottom one to help them.

When this result was brought about the fiddler struck up “Sir Roger de Coverley.” Then old Fezziwig stood out to dance with Mrs. Fezziwig. Top couple, too, with a good stiff piece of work cut out for them; three or four and twenty pairs of partners; people who were not to be trifled with; people who would dance and had no notion of walking.

But if they had been thrice as many–oh, four times as many–old Fezziwig would have been a match for them, and so would Mrs. Fezziwig. As to her, she was worthy to be his partner in every sense of the term. If that’s not high praise, tell me higher and I’ll use it. A positive light appeared to issue from Fezziwig’s calves. They shone in every part of the dance like moons. You couldn’t have predicted at any given time what would become of them next. And when old Fezziwig and Mrs. Fezziwig had gone all through the dance, advance and retire; both hands to your partner, bow and courtesy, corkscrew, thread the needle, and back again to your place; Fezziwig “cut”–cut so deftly that he appeared to wink with his legs, and came upon his feet again with a stagger.

When the clock struck eleven the domestic ball broke up. Mr. and Mrs. Fezziwig took their stations, one on either side of the door, and shaking hands with every person individually, as he or she went out, wished him or her a Merry Christmas!

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ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.
My ChristmasMy ChristmasMillions will rejoice this holiday season with the much-anticipated release of Andrea Bocelli's My Christmas. The first-ever Christmas recording from Andrea is a heart-warming collection of seasonal favorites produced by the legendary David Foster. The lush, beautiful arrangements alongside Bocelli's unmistakable soaring vocals make this a must-have holiday recording. Highlights include "White Christmas," "Oh Holy Night," "Santa Claus is Coming to Town," "Jingle Bells," "Silent Night," "The Christmas Song," and "What Child Is This" among others. My Christmas will also be a major component of a PBS Great Performances special to air on Public Television this December, featuring Andrea and David Foster with additional special guests.

The Flight Into Egypt

  • Posted on December 30, 2011 at 4:25 pm

Far away, in a desert in the East, there grew, many years ago, a palm that was very, very old, and very, very tall. No one passing through the desert could help stopping to look at it, for it was much higher than other palms, and people said of it that it would surely grow to be higher than the Obelisks and Pyramids.

This great palm, standing in its loneliness, and looking over the desert, one day saw something which caused its huge crown of leaves to wave to and fro with surprise on its slender stem. On the outskirts of the desert two lonely persons were wandering. They were still so far away that even a camel would have looked no larger than an ant at that distance, but they were assuredly human beings, two who were strangers to the desert–for the palm knew the people of the desert–a man and a woman, who had neither guide, nor beasts of burden, nor tent, nor water-bag.

“Verily,” said the palm to itself, “these two have come hither to die.”

The palm looked quickly around.

“I am surprised,” it said, “that the lions have not already gone out to seize their prey. But I do not see a single one about. Nor do I see any of the robbers of the desert. But they are sure to come.

“There awaits them a sevenfold death,” thought the palm. “The lions will devour them, the serpents will sting them, thirst will consume them, the sand-storm will bury them, the robbers will kill them, the burning sun will overcome them, fear will destroy them.”

The palm tried to think of something else; the fate of these two made it sad. But in the immeasurable desert around it there was not a single thing that the palm had not known and gazed at for thousands of years. Nothing could attract its attention. It was again obliged to think of the two wanderers.

“By the drought and the wind!” said the palm, invoking the two greatest enemies of life, “what is the woman carrying on her arm? I believe these mad people have a little child with them!”

The palm, which was long-sighted, as the aged generally are, saw aright. The woman carried in her arms a child, that had laid its head on her breast and was sleeping.

“The child has not even enough clothes on,” said the palm. “I see that the mother has lifted up her skirt and thrown it over it. She has taken it out of its bed in great haste and hurried away with it. Now I understand: these people are fugitives.

“But they are mad, all the same,” continued the palm. “If they have not an angel to protect them, they should rather have let their enemies do their worst than have taken refuge in the desert. I can imagine how it has all happened. The man is at work, the child sleeps in its cradle, the woman has gone to fetch water. When she has gone a few steps from the door she sees the enemy approaching. She rushes in, seizes the child, calls to the husband that he shall follow her, and runs away. Since then they have continued their flight the whole day; they have assuredly not rested a single moment. Yes, so it has all happened; but I say all the same, if no angel protects them–

“They are in such fear that they do not feel either fatigue or other sufferings, but I read thirst in their eyes. I think I should know the face of a thirsty man.”

And when the palm began to think about thirst a fit of trembling went through its high stem, and the innumerable fronds of its long leaves curled up as if held over a fire.

“If I were a man,” it said, “I would never venture into the desert. He is truly brave who ventures here without having roots reaching down to the inexhaustible water-veins. There can be danger even for palms, even for such a palm as I. Could I advise them, I would beg them to return. Their enemies could never be as cruel to them as the desert. They think perhaps that it is easy to live in the desert. But I know that even I at times have had difficulty in keeping alive. I remember once in my youth when a whirlwind threw a whole mountain of sand over me I was nearly choking. If I _could_ die I should have died then.”

The palm continued to think aloud, as lonely old people do.

“I hear a wonderful melodious murmur passing through my crown,” it said; “all the fronds of my leaves must be moving. I do not know why the sight of these poor strangers moves me so. But this sorrowful woman is so beautiful! It reminds me of the most wonderful thing that ever happened to me.”

And whilst its leaves continued their melodious rustle the palm remembered how once, long, long ago, a glorious human being had visited the oasis. It was the Queen of Sheba, accompanied by the wise King Solomon. The beautiful Queen was on her way back to her own country; the King had accompanied her part of the way, and now they were about to part. “In memory of this moment,” said the Queen, “I now plant a date-kernel in the earth; and I ordain that from it shall grow a palm which shall live and grow until a King is born in Judaea greater than Solomon.” And as she said this she placed the kernel in the ground, and her tears watered it.

“How can it be that I should just happen to think of this to-day?” said the palm. “Can it be possible that this woman is so beautiful that she reminds me of the most beautiful of all queens, of her at whose bidding I have lived and grown to this very day? I hear my leaves rustling stronger and stronger,” said the palm, “and it sounds sorrowful, like a death-song. It is as if they prophesied that someone should soon pass away. It is well to know that it is not meant for me, inasmuch that I cannot die.”

The palm thought that the death-song in its leaves must be for the two lonely wanderers. They themselves surely thought that their last hour was drawing near. One could read it in their faces when they walked past one of the skeletons of the camels that lay by the roadside. One saw it from the glances with which they watched a couple of vultures flying past. It could not be otherwise–they must perish.

They had now discovered the palm in the oasis, and hastened thither to find water. But when they at last reached it they sank down in despair, for the well was dried up. The woman, exhausted, laid down the child, and sat down crying by the side of the well. The man threw himself down by her side; he lay and beat the ground with his clenched hands. The palm heard them say to each other that they must die. It also understood from their conversation that King Herod had caused all children of two or three years of age to be killed from fear that the great expected King in Judaea had been born.

“It rustles stronger and stronger in my leaves,” said the palm. “These poor fugitives have soon come to their last moment.”

It also heard that they were afraid of the desert. The man said it would have been better to remain and fight the soldiers than to flee. He said that it would have been an easier death.

“God will surely help us,” said the woman.

“We are all alone amongst serpents and beasts of prey,” said the man. “We have no food and no water. How can God help us?”

He tore his clothes in despair and pressed his face against the earth. He was hopeless, like a man with a mortal wound in his heart.

The woman sat upright, with her hands folded upon her knees. But the glances she cast over the desert spoke of unutterable despair.

The palm heard the sorrowful rustling in its leaves grow still stronger. The woman had evidently heard it too, for she looked up to the crown of the tree, and in the same moment she involuntarily raised her arms.

“Dates, dates!” she cried.

There was such a longing in her voice, that the old palm wished it had not been any higher than the gorse, and that its dates had been as easy to reach as the red berries of the hawthorn. It knew that its crown was full of clusters of dates, but how could man reach to such a dazzling height?

The man had already seen that, the dates being so high, it was impossible to reach them. He did not even lift his head. He told his wife that she must not wish for the impossible.

But the child, which had crawled about alone and was playing with sticks and straws, heard the mother’s exclamation. The little one could probably not understand why his mother should not have everything she wished for. As soon as he heard the word “dates,” he began to look at the tree. He wondered and pondered how he should get the dates. There came almost wrinkles on his forehead under the fair locks. At last a smile passed over his face. Now he knew what he would do. He went to the palm, stroked it with his little hand, and said in his gentle, childish voice:

“Bend down, palm. Bend down, palm.”

But what was this, what could this be? The palm-leaves rustled, as if a hurricane rushed through them, and shudder upon shudder passed through the tall stem. And the palm felt that the little one was the stronger. It could not resist him.

And with its high stem it bowed down before the child, as men bow down before princes. In a mighty arch it lowered itself towards earth, and at last bowed so low that its great crown of trembling leaves swept the sand of the desert.

The child did not seem to be either frightened or surprised, but with a joyous exclamation it ran and plucked one cluster after another from the crown of the old palm.

When the child had gathered enough, and the tree was still lying on the earth, he again went to it, stroked it, and said in his gentlest voice:

“Arise, palm, arise.”

And the great tree raised itself silently and obediently on its stem, whilst the leaves played like harps.

“Now I know for whom they play the death-song,” the old palm said to itself, when it again stood erect. “It is not for any of these strangers.”

But the man and woman knelt down on their knees and praised God.

“Thou hast seen our fear and taken it from us. Thou art the Mighty One, that bends the stem of the palm like a reed. Of whom should we be afraid when Thy strength protects us?”

Next time a caravan passed through the desert, one of the travelers saw that the crown of the great palm had withered.

“How can that have happened?” said the traveler. “Have we not heard that this palm should not die before it had seen a King greater than Solomon?”

“Perhaps it has seen Him,” answered another wanderer of the desert.

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With rave reviews the CD, DVD and PBS broadcast of Il Volo Takes Flight is one of the most highly anticipated releases of the new year. The NY Daily News glowed, "If you've never heard them sing 'O Sole Mio' or other classics in their rep, then be prepared to be blown away."

Piero Barone 18, Ignazio Borschetto 17, and Gianuca Ginoble 16, also dubbed The Teenage Tenors, exploded onto the U.S. music scene and into the hearts of U.S. fans following their show stopping appearance on American Idol. Their self titled debut CD debuted at Number 6 on the Billboard Top 200 Chart. Worldwide sales are approaching the one million mark. Already certified platinum in their homeland, the boys also appeared on major U.S. TV shows including The Tonight Show with Jay Leno, Today Show, Good Morning America, The Talk, Ellen, Rachael Ray and a surprise performance on the final episode of the HBO series Entourage.

Both the CD and DVD were produced by Grammy award winning producer Humberto Gatica (Michael Buble) and renowned Italian singer and producer Tony Renis. "We are excited and proud to have produced this concert for national distribution with our partners at PBS and the Michigan Opera Theatre," commented Detroit Public TV's President and General Manager Rich Homberg. The show was directed by Ron de Moraes and executive produced by Michele Torpendine (Il Volo's manager), Tony Renis, Steve Leber, Ken Ehrlich, Jamie Westrick and Ron Fair.

ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.

The Night Before Christmas

  • Posted on December 29, 2011 at 9:45 pm

‘Twas the night before Christmas, and all through the house,
Not a creature was stirring, not even a mouse.
The stockings were hung by the chimney with care,
In the hope that St. Nicholas soon would be there.
The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads.
And mamma in her kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap;

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow
Gave the lustre of midday to objects below–
When what to my wondering eyes should appear
But a miniature sleigh and eight tiny reindeer.

With a little old driver so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled and shouted and called them by name–
“Now, Dasher! Now, Dancer! Now, Prancer! Now, Vixen!
On, Comet! On, Cupid! On, Dunder and Blixen!
To the top of the porch, to the top of the wall!
Now, dash away! Dash away! Dash away! All!”

As dry leaves before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew
With the sleigh full of toys, and St. Nicholas, too.
And then in a twinkling I heard on the roof
The prancing and pawing of each tiny hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.

He was dressed all in fur from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedlar just opening his pack.
His eyes–how they twinkled! His dimples, how merry!
His cheeks were like roses, his nose like a cherry;
His droll little mouth was drawn up in a bow,
And the beard on his chin was as white as the snow.

[Illustration: THE REINDEER AND THE SLEIGH]

The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself.
A wink of his eye, and a twist of his head,
Soon gave me to know I had nothing to dread.

He spoke not a word, but went straight to his work,
And filled all the stockings–then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose.
He sprang to his sleigh, to his team gave a whistle,
And away they all flew, like the down of a thistle;
But I heard him exclaim ere he drove out of sight,
“Merry Christmas to all, and to all a good-night!”

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ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.
My ChristmasMy ChristmasMillions will rejoice this holiday season with the much-anticipated release of Andrea Bocelli's My Christmas. The first-ever Christmas recording from Andrea is a heart-warming collection of seasonal favorites produced by the legendary David Foster. The lush, beautiful arrangements alongside Bocelli's unmistakable soaring vocals make this a must-have holiday recording. Highlights include "White Christmas," "Oh Holy Night," "Santa Claus is Coming to Town," "Jingle Bells," "Silent Night," "The Christmas Song," and "What Child Is This" among others. My Christmas will also be a major component of a PBS Great Performances special to air on Public Television this December, featuring Andrea and David Foster with additional special guests.

A Christmas Legend

  • Posted on December 29, 2011 at 4:25 pm

FLORENCE SCANNELL

It was Christmas Eve. The night was very dark and the snow falling fast, as Hermann, the charcoal-burner, drew his cloak tighter around him, and the wind whistled fiercely through the trees of the Black Forest. He had been to carry a load to a castle near, and was now hastening home to his little hut. Although he worked very hard, he was poor, gaining barely enough for the wants of his wife and his four little children. He was thinking of them, when he heard a faint wailing. Guided by the sound, he groped about and found a little child, scantily clothed, shivering and sobbing by itself in the snow.

“Why, little one, have they left thee here all alone to face this cruel blast?”

The child answered nothing, but looked piteously up in the charcoal-burner’s face.

“Well, I cannot leave thee here. Thou would’st be dead before the morning.”

So saying, Hermann raised it in his arms, wrapping it in his cloak and warming its little cold hands in his bosom. When he arrived at his hut, he put down the child and tapped at the door, which was immediately thrown open, and the children rushed to meet him.

“Here, wife, is a guest to our Christmas Eve supper,” said he, leading in the little one, who held timidly to his finger with its tiny hand.

“And welcome he is,” said the wife. “Now let him come and warm himself by the fire.”

The children all pressed round to welcome and gaze at the little new-comer. They showed him their pretty fir-tree, decorated with bright, colored lamps in honor of Christmas Eve, which the good mother had endeavored to make a _f

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Think Like A Man - Music From & Inspired By The FilmThink Like A Man - Music From & Inspired By The FilmBased on Steve Harvey's best-selling book, "Think Like a Man" follows four interconnected and diverse men whose love lives are shaken up after the ladies they are pursuing buy Harvey's book and start taking his advice to heart. When the band of brothers realize they have been betrayed by one of their own, they conspire using the book's insider information to turn the tables and teach the women a lesson of their own. The movie is directed by Tim Story and written by Keith Merryman & David. Contains all new music from Jennifer Hudson and Ne-Yo, John Legend, Kelly Rowland, X-Factor finalist Marcus Canty, Future, Keri Hilson and more.
Legend: The Best Of Bob Marley And The Wailers (New Packaging)Legend: The Best Of Bob Marley And The Wailers (New Packaging)This newly remastered version of the best-selling reggae album of all time now features 2 additional bonus tracks. Upgraded packaging features 28 page booklet with lyrics and photos.
ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.

The Child Jesus In The Garden

  • Posted on December 28, 2011 at 9:45 pm

AUTHOR UNKNOWN

Cold was the day, when in a garden bare,
Walked the Child Jesus, wraped in holy thought;
His brow seemed clouded with a weight of care;
Calmness and rest from worldly things he sought.

Soon was his presence missed within his home;
His mother gently marked his every way;
Forth then she came to seek where he did roam.
Full of sweet words his trouble to allay.

Through chilling snow she toiled to reach his side,
Forcing her way mid branches brown and sere,
Hastening that she his sorrows might divide,
Share all his woe, or calm his gloomy fear.

Sweet was her face, as o’er his head she bent,
Longing to melt his look of saddest grief.
With lifted eyes, his ear to her he lent;
Her kindly solace brought his soul relief.

Then did he smile–a smile of love so deep,
Winter himself grew warm beneath its glow;
From drooping branches scented blossoms peep;
Up springs the grass; the seal

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ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.
Legends of Broadway: Liza Minnelli Live at Winter GardenLegends of Broadway: Liza Minnelli Live at Winter GardenLiza Minnelli is Hollywood royalty, but it is on Broadway that she made her most distinctive mark, where her stage persona began to take shape and where she returned throughout her career to rediscover her adoring public. Live at the Winter Garden from January 1974 captures what may be the best of those memorable visits.

Minnelli was already a Broadway veteran, winner of a Tony Award in 1965 followed by, in 1973, Academy and Emmy Awards. At the crest of that incredible wave, Minnelli returned triumphantly to Broadway to hold court at the Winter Garden for a month of performances, captured on this long-unavailable live recording. Bob Fosse staged the show and the composer/ lyricist team John Kander and Fred Ebb supplied new material. The show was a blockbuster hit, selling out the entire month s run in one day and setting a house record for the Winter Garden Theater. At the end of the season, Minnelli was awarded a special Tony Award for the Winter Garden show.

The original album was released in April 1974, but had to be withdrawn because of contractual conflicts over songs from the Cabaret score. Until now, the recording was out of circulation. This long-awaited reissue is derived from the original master, engineered by Phil Ramone. Also included on this CD are three live bonus tracks that were not part of the original Winter Garden LP: Stevie Wonder's "You and I" and two standards, "It Had to Be You" and "My Shining Hour."
Your Love Never Fails (CD/DVD)Your Love Never Fails (CD/DVD)Your Love Never Fails is the third release from the Jesus Culture Band. This CD/DVD was recorded the February 2008 Jesus Culture Encounter conference. It is considered by the youth worship community as a "must own" CD/DVD. The title track, "Your Love Never Fails", written by Chris McClarney and sung by Chris Quilala, has taken root in people's hearts all around the world. The song "Happy Day", written by Tim Hughes and Ben Cantelon, is delivered like never before with the passionate vocals of Kim Walker-Smith. The praise classic "All Consuming Fire" is wondrously sung by Melissa How. All in all, this is a definitive collection of worship songs for a new generation of worshippers.

CHRISTMAS DAY.

  • Posted on December 28, 2011 at 4:25 pm

ANNA MORRISON.

“Boys,” said Mrs. Howard one morning, looking up from a letter she was reading, “I have had a letter from your grandmamma. She writes that she is returning to England shortly.”

The boys went on with their breakfast without showing any great amount of interest in this piece of news, for they had never seen their grandmother, and therefore could not very well be expected to show any affection for her.

Now Mrs. Howard, the mother of two of the boys and aunt to the third little fellow, was a widow and very poor, and often found it a hard task to provide for her “three boys,” as she called them, for, having adopted her little orphan nephew, she always treated him as her own son. She had sometimes thought it strange that old Mrs. Howard should not have offered to provide for Leslie herself but she had never done so, and at last Mrs. Howard had ceased to expect it. But now, right at the end of her letter, Grandmamma Howard wrote:–

“I have been thinking that perhaps it would come a little hard on you to support not only your own two boys, but poor Alice’s son, and so, on my return to England, I propose, if you are willing, to adopt one of them, for I am a lonely old woman and shall be glad of a young face about me again.”

After thinking the matter over, Mrs. Howard decided she would say nothing about their grandmother’s intention to the boys, as she thought that it was just possible she might change her mind again.

Time passed on, and winter set in, and full of the delights of skating, the boys forgot all about the expected arrival of their grandmother.

During the Christmas holidays the boys one morning started off to Broome Meadow for a good day’s skating on the pond there. They carried their dinner with them, and were told to be sure and be home before dark.

As they ran along the frosty road they came suddenly upon a poor old woman, so suddenly that Leslie ran right up against her before he could stop himself. The old woman grumbled about “lazy, selfish boys, only thinking of their own pleasure, and not caring what happened to a poor old woman!”

But Leslie stopped at once and apologized, in his polite little way, for his carelessness.

“I _am_ sorry,” he said. “I hope I did not hurt you; and you have such heavy parcels to carry too. Won’t you let me help you?”

“Oh! come on, Leslie,” said his cousins; “we shall never get to the pond at this rate!”

“Yes, go on,” said the old woman sharply; “your skating is of a great deal more importance than an old woman, eh?”

But Leslie’s only answer was to take the parcels and trudge merrily along beside his companion.

On the way to her cottage the old woman asked him all sorts of questions about himself and his cousins, and then, having reached her cottage, dismissed him with scarcely a “thank you” for the trouble he had taken. But Leslie did not take it much to heart.

He raced along, trying his hardest to overtake his cousins before they reached the pond, and was soon skimming about with the rest of them.

Squire Leaholme, in whose grounds the boys were skating, afterwards came down to the pond to watch the fun, and, being a kind-hearted old gentleman, offered to give a prize of a new pair of skates to the boy who should win the greatest number of races.

As it was getting late, it was arranged that the racing should come off on the following day, and the Squire invited all the boys who took part in it, to come up to his house to a substantial tea, after the fun was over.

How delighted Leslie was, for he was a first-rate skater, and he _did_ so want a new pair of skates!

But the Squire’s skates were not to be won by him, for on the following day as he and his cousins were on their way to the pond, they came across the queer old woman whom they had met on the previous day.

She was sitting on the ground, and seemed to be in great pain. The boys stopped to ask what ailed her, and she told them that she had slipped and twisted her foot, and was afraid that her ankle was sprained, for she could not bear to put it to the ground.

[Illustration: FROM THE CHRISTMAS TREE.]

“You musn’t sit here in the cold,” said Leslie; “come, try and get up, and I will help you home.”

“Oh! Leslie,” cried both his cousins, “don’t go. You will be late for the races, and lose your chance of the prize.”

Poor Leslie! He turned first red, then white, and then said, in a husky tone of voice–

“Never mind–you go on without me.”

“You’re a good laddie,” said the old woman. “Will you be _very_ sorry to miss the fun?”

Leslie muttered something about not minding _much_, and then the brave little fellow set himself to help the poor old woman home, as gently and tenderly as he could.

She would not let him come in with her, but told him to run off as quickly as he could, and perhaps after all, he would not be too late for the skating. But Leslie could not bear to leave her alone and in pain, so he decided to run home and fetch his Aunt.

When Mrs. Howard arrived at the cottage, you can think how surprised she was to find that Leslie’s “poor old woman” was none other than Grandmamma Howard herself, who wishing to find out the real characters of her grandsons, had chosen to come in this disguise to the little village where they lived.

You will easily guess which of the three boys Grandmamma chose to be her little companion. And oh! what a lovely Grandmamma she was, as not only Leslie, but his cousins too, found out. She always seemed to know exactly what a boy wanted, and still better, to give it to him.

Walter and Stanley often felt terribly ashamed of the selfish manner in which they had behaved, and wished they were more like Leslie.

But Grandmamma told them that it was “never too late to mend,” and they took her advice, and I am quite sure that at the present moment if they were to meet a poor old woman in distress by the roadside, they would not pass her by, as they once did Grandmamma Howard.

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Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.
With a Smile And A Song (2 CD)With a Smile And A Song (2 CD)In conjunction with Turner Classic Movies Network, Masterworks presents WITH A SMILE AND A SONG, a new 2-CD set celebrating the two facets of Doris Day's extraordinary career. Doris Day is not only one of Hollywood's all-time greatest box office stars; she is also one of Columbia Records' most successful recording artists. This collection, curated by Ms. Day herself, highlights this unique and beloved leading lady of both film and song, featuring songs from her biggest hit movies as well as some of the greatest moments of her successful career at Columbia Records.

THE LEADING LADY OF MOVIES
This collection includes the memorable "It's Magic" from Romance On The High Seas, "Secret Love" from Calamity Jane, "Shaking the Blues Away," "At Sundown," and the title track from Love Me Or Leave Me, the beloved title theme from Pillow Talk, and of course, "Whatever Will be Will Be," best known from Alfred Hitchcock's The Man Who Knew Too Much.

THE LEADING LADY OF SONG
Disc 2 highlights songs from Ms. Day's favorite Columbia Records albums. "But Beautiful" and "Don't Take Your Love From Me" from the 1956 release Day By Day, "Easy to Love" from the 1957 release
Day By Night, "In Love In Vain" and "Fools Rush In" from the 1962 release Doris Day & Andre Previn: Duets, "Desafinado" and "Quizas Quizas Quizas" from the 1965 release Latin Is For Lovers, as well as the title track from the timeless With A Smile and A Song a perfect title to personify this incomparable singer, actress and entertainer.
My Heart (U.S. Edition)My Heart (U.S. Edition)This is Grammy-winning singing legend Doris Day's first studio album with fresh material in 17 years; 13 songs of a timeless quality including 10 previously unreleased recordings produced by Day's late son, Terry Melcher, plus a trio of Day classics.

Doris Day has been fully involved with the musical selections for this special album, which hit the top ten with its advance release in England. Her son Terry Melcher -- who was known as a producer for folk-rock pioneers The Byrds and other artists -- co-wrote three of the new songs with the Beach Boys' Bruce Johnston: the emotional title track "My Heart", the romantic "The Way I Dreamed It" and the haunting "Happy Endings" sung by Melcher with a newly recorded spoken-word introduction by Day.

Also included is the rhythmic radio single "Heaven Tonight" plus three classic rock-era favorites: Joe Cocker's ballad "You Are So Beautiful", the Lovin' Spoonful's joyful 1966 hit "Daydream" and The Beach Boys' nostalgic "Disney Girls", the latter written by Bruce Johnston, who co-produced three of the recordings on the album.

Exclusive to this U.S. edition is the debut release of the traditional folk ballad "Stewball", which appropriately connects with Day's devotion to animals. The trio of vintage classics Day has selected for this album are "My One & Only Love" with the Andre Previn Trio, the biographical "Ohio" from the stage musical "Wonderful Town" and the standard "My Buddy" from Day's film "I'll See You In My Dreams". Rounding out the set is the bouncy showtune "Hurry It's Lovely Up Here" from "On A Clear Day You Can See Forever".

A Ragged Christmas Feast

  • Posted on December 27, 2011 at 9:45 pm

On Christmas day there is a great feast in Dublin. This, you know, is the chief city of Ireland. The feast is made for the children. There are in that city a great many little ones who are very very poor. There are kind people there, also, who look after these poor children. They have what they call “ragged schools,” where many of them are taught to read, and to sew, and other useful things.

Dr. Nelaton is a famous minister in Dublin, and every year he, with other good people, gets up this great feast for the children. About eight hundred of them came last year. Some of these were only half-clad, and all were very ragged. They were seated at long, narrow tables, which were covered with a white cloth, The children from the ragged schools wore aprons in bright colors, to hide their rags. Each school had a color of its own. These aprons were only lent them for the day, and the children felt very fine in them. But there were two long rows without any aprons. These were little ones who had been picked up along the streets. Each ragged scholar had permission to bring all the children he could find. And, oh, how ragged and dirty these two rows were!

But they brightened up, just like the children with aprons, when they saw the feast. A huge mug of steaming tea and an immense bun to each child! Rarely did they have such a treat as this. And how they did eat! Each child had all he wanted. It would have done you good to see their poor, pinched faces beam with delight. During the meal a large throng of orphan children in the gallery sung some sweet songs. Then, after the feast, there were small gifts, and little speeches and prayers, and more songs. The little ragged ones seemed like new beings in this atmosphere of love. Such a glad day as that Christmas was a rare event in their sad lives. Children who live in happy homes know little about the sufferings of the poor. Perhaps, if they knew more, such little ones would try harder, by gifts and kind acts, to carry sunshine to sorrowful hearts.

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ChristmasChristmasMichael Bublé has a special holiday gift for his naughty and nice fans. The multi Grammy Award winning Canadian presents Christmas. Commented Bublé, "Christmas has always been my favorite time of the year for me and my family so naturally it's been a dream of mine to make the "ultimate" Christmas record."

Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bublé also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bublé original "Cold December Night" will be included on Christmas.
100 Singalong Songs for Kids100 Singalong Songs for KidsNo Description Available
No Track Information Available
Media Type: CD
Artist: CEDARMONT KIDS
Title: 100 SINGALONG SONGS FOR KIDS
Street Release Date: 04/17/2007
Toddler FavoritesToddler Favorites

Toddler Favorites was certified PLATINUM by the Record Industry Association of America (RIAA). The third in the successful Music For Little People Favorite Series, Toddler Favorites relates to color, movement and music. This sing-along combines the simplicity of rhythmic language with familiar tunes, helping children between the ages of 2 through 6 develop an early love of music. Toddler Favorites has consistently charted since it's release! Various artists.

Features:

  • I'm A Little Teapot
  • Wheels On The Bus, The
  • Where Is Thumbkin
  • Happy Birthday To You
  • This Little Pig
  • Mary Had A Little Lamb
  • More We Get Together, The
  • This Old Man
  • Frere Jacques
  • Monkeys On The Bed
  • Engine Number Nine
  • Down By The Station / Little Red Caboose
  • Peas, Porridge Hot
  • Ring-Around-The-Rosy
  • 7,8,9 Joke
  • If You're Happy And You Know It
  • Fuzzy Wuzzy
  • Old MacDonald Had A Farm
  • Baa Baa Black Sheep
  • Alphabet Song
  • It's Raining: / Itsy Bitsy Spider
  • Twinkle Twinkle Little Star

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